My Cart My Account
Sign Up Sign In
 
Descent from the Cross.jpg
The Decline of the Carthaginian Empire
Daniel in the Lion's Den
Daniel in the Lion's Den
Patroclus
Patroclus
The Oath of the Horatii
The Oath of the Horatii
The
The Loves of Paris and Helen
More>>
Online help
Artwork Detail
 
 
The Chapel viewed from the entrance
Item: DMP03346
Size:
(inch)
30x30
Price:
(USD)
ListPrice:$
OurPrice:$
Artist: GIOTTO di Bondone
Location: Cappella Scrovegni (Arena Chapel), Padua
Note: The presented price is for referrence. For complex content of the painting, manual cost evaluation will be done after the order is made. The painting will be unframed and be shipped in rolled tube.

Other size(inch)
  36x36 $22,845.96
  40x40 $28,727.32

 
Author's biography
Florentine painter and architect. Outstanding as a painter, sculptor, and architect, Giotto was recognized as the first genius of art in the Italian Renaissance. Giotto lived and worked at a time when people's minds and talents were first being freed from the shackles of medieval restraint. He dealt largely in the traditional religious subjects, but he gave these subjects an earthly, full-blooded life and force.The artist's full name was Giotto di Bondone. He was born about 1266 in the village of Vespignano, near Florence. His father was a small landed farmer. Giorgio Vasari, one of Giotto's first biographers, tells how Cimabue, a well-known Florentine painter, discovered Giotto's talents. Cimabue supposedly saw the 12-year-old boy sketching one of his father's sheep on a flat rock and was so impressed with his talent that he persuaded the father to let Giotto become his pupil. Another story is that Giotto, while apprenticed to a wool merchant in Florence, frequented Cimabue's studio so much that he was finally allowed to study painting.The earliest work attributed to Giotto is a series of frescoes on the life of St Francis in the church at Assisi. In about 1305 and 1306 Giotto painted the extraordinary series of frescoes in the Arena Chapel in Padua.Vasari tells the story of how Pope Boniface VIII sent a messenger to Giotto with a request for samples of his work. Giotto dipped his brush in red and with one continuous stroke painted a perfect circle. He then assured the messenger that the worth of this sample would be recognized. When the pope saw it, he "instantly perceived that Giotto surpassed all other painters of his time."In Rome, Naples, and Florence, Giotto executed commissions from princes and high churchmen. The Peruzzi and Bardi chapels in the Church of Santa Croce are adorned by Giotto's frescoes.In 1334 the city of Florence honored Giotto with the title of Magnus Magister (Great Master) and appointed him city architect and superintendent of public works. In this capacity he designed the famous Campanile (bell tower). He died in 1337, before the work was finished.Giotto was short and homely, and he was a great wit and practical joker. He was married and left six children at his death. Unlike many of his fellow artists, he saved his money and was accounted a rich man. He was on familiar terms with the pope, and King Robert of Naples called him a good friend.In common with other artists of his day, Giotto lacked the technical knowledge of anatomy and perspective that later painters learned. Yet what he possessed was infinitely greater than the technical skill of the artists who followed him. He had a grasp of human emotion and of what was significant in human life. In concentrating on these essentials he created compelling pictures of people under stress, of people caught up in crises and soul-searching decisions. Modern artists often seek inspiration from Giotto. In him they find a direct approach to human experience that remains valid for every age.Giotto is regarded as the founder of the central tradition of Western painting because his work broke free from the stylizations of Byzantine art, introducing new ideals of naturalism and creating a convincing sense of pictorial space. His momentous achievement was recognized by his contemporaries (Dante praised him in a famous passage of The Divine Comedy, where he said he had surpassed his master Cimabue), and in about 1400 Cennino Cennini wrote 'Giotto translated the art of painting from Greek to Latin.'In spite of his fame and the demand for his services, no surviving painting is documented as being by him. His work, indeed, poses some formidable problems of attribution, but it is universally agreed that the fresco cycle in the Arena Chapel at Padua is by Giotto, and it forms the starting-point for any consideration of his work. The Arena Chapel (so-called because it occupies the site of a Roman arena) was built by Enrico Scrovegni in expiation for the sins of his fa
Select by Artist's Name: A  B  C  D  E  F  G  H  I  J  J  K  L  M  N  O  P  Q  R  S  T  U  V  W  X  Y  Z  
 
 
Français Deutsch Español Italiano Português ?? ??국? ا?عرب?ة б?лга?ски hrvatski
Dansk Nederlands suomi ?λληνικά हिन्द? norsk Polski Român? ??сский Svenska
Home ?AboutUs ?Shipment ?Terms & Conditions ?Privacy ?ContactUs ?FriendSites?Partnership
Copyright © 2005 - 2020 Youfineart oil painting All Rights Reserved
All pictures on this website are taken from the oil paintings and other source in public domain if you find any picture which offends your copyright, please notice us to remove it as soon as possible!
Friendly sites: Oil painting |